‘She Said’ is Vocational Bait and Switch (and a Pretty Damn Good Movie)

‘Armageddon Time’ Is A Worthy Investment, But Probably Not The Oscar Contender It Was Intended To Be

‘Causeway’ is a Subtle Tale of Trauma and Healing

‘The Return of Tanya Tucker’: An Unexpectedly Moving Music Doc

Name Recognition Can’t Lead ‘My Policeman’ Beyond Mediocrity

‘Banshees’ is as Dark as it is Hilarious

Twin Cities Film Fest Announces 2022 Award Winners

Twin Cities Film Fest Announces 2022 Award Finalists

The Infernal Machine: Twin Cities Filmmaker Debuts Latest Feature Close to Home

See How They Run: A Fun Throwback Whose Stars Outshine It

Love and Thunder: An Entertaining, but Seemingly Estranged, Entry to the MCU

Roger Nygard Returns Home for a Movie Marathon in His Honor

Jurassic World Dominion is Colin’s Smirking Revenge

What ‘Emergency’ Lacks in Intensity it Makes up for in Realism

Doctor Strange: That’s So Raimi Edition

Dark Knight Meets ‘Se7en’ in ‘The Batman’

Studio 666: Crazy Stupid Fun from Beginning to End

Cruz, Smit Take ‘Parallel Mothers’ to Greater Heights

‘No Way Home’ is one of Marvel’s Finest

‘Encounter’ Is Sci-Fi Bait And Switch, But Still Watchable

‘Wolf’ Is More Petting Zoo Than Wild Beast

Ghostbusters Afterlife Is A Pandering Exercise In Nostalgia, But In All the Best Ways

Eternals: A Clunker That Shows Room for Future Improvement

Dune: A Box Office Supernova Worth the Wait

The Last Duel: A He Said, He Said, She Said Story Featuring Brutality, a Dynamic Leading Lady, and K