Dune: A Box Office Supernova Worth the Wait

The Last Duel: A He Said, He Said, She Said Story Featuring Brutality, a Dynamic Leading Lady, and K

Pharma Bro: A Tilted, Yet Compelling Portrait of a Disgraced Douchebag

‘Venom: There Will be Carnage’ is an Experiment in Indifference

They Might be Mimes, but Vampires Work in ‘Black as Night’

The Addams Family 2: A Little Bland, but Still Enjoyable

‘The Eyes of Tammy Faye’: Powerful Performances Lift an Otherwise Average Biopic

Shang-Chi: A Thunderous Kickoff to MCU Phase Four

Snake Eyes: A G.I. Joe Story That Doesn’t Feel Quite Like One (And is Also Missing Red and Blue Lase

F9: So Bad I Want to Sell My Car

‘In the Heights’: Full Product is Much Greater than its Individual Pieces

‘A Quiet Place Part II’ is ‘A Quiet Place’ on Steroids

‘Profile’ Will Make You Question Your Online Friends (or Possibly the Age of Your Leftovers)

‘Limbo’ Won’t Change the World, But it Offers Some Things to Ponder

‘French Exit’ Is Dark And Weird And I’m Here For It

‘The Courier’ Gets An A (and I Get an F in History)

Chaos Walking: The Book is Supposed to be Good, So That's Something

‘Boogie’ is an Airball

Coming 2 America: Better Than Expected, Less Than What I'd Hoped For

‘Nomadland’: A Film About a Woman and Her Van Shouldn’t Work, but Here We Are

‘Land’ is as Beautiful as it is Boring

‘The Map of Tiny Perfect Things’ – Short on Originality, Long (Enough) on Fun

‘Bliss’ Succeeds in Theory, but Fails in Execution

‘Promising Young Woman’ is More Than Worth the Wait

‘One Night in Miami’ the Most Meaningful Night That Never Happened