Snake Eyes: A G.I. Joe Story That Doesn’t Feel Quite Like One (And is Also Missing Red and Blue Lase

F9: So Bad I Want to Sell My Car

‘In the Heights’: Full Product is Much Greater than its Individual Pieces

‘A Quiet Place Part II’ is ‘A Quiet Place’ on Steroids

‘Profile’ Will Make You Question Your Online Friends (or Possibly the Age of Your Leftovers)

‘Limbo’ Won’t Change the World, But it Offers Some Things to Ponder

‘French Exit’ Is Dark And Weird And I’m Here For It

‘The Courier’ Gets An A (and I Get an F in History)

Chaos Walking: The Book is Supposed to be Good, So That's Something

‘Boogie’ is an Airball

Coming 2 America: Better Than Expected, Less Than What I'd Hoped For

‘Nomadland’: A Film About a Woman and Her Van Shouldn’t Work, but Here We Are

‘Land’ is as Beautiful as it is Boring

‘The Map of Tiny Perfect Things’ – Short on Originality, Long (Enough) on Fun

‘Bliss’ Succeeds in Theory, but Fails in Execution

‘Promising Young Woman’ is More Than Worth the Wait

‘One Night in Miami’ the Most Meaningful Night That Never Happened

Pixar Delivers More of the Same (Ridiculously Good) with ‘Soul’

‘Sylvie’s Love’ Takes a Simple Story and Lets it Soar

‘Greenland’ Isn’t Great, But It’s Pretty Great For What It Is

‘I’m Your Woman’ is a Subtle and Enduring Crime Thriller

Half Brothers: Half Heartwarming, Half Aggravating

There’s More to This Vermeer Than Meets the Eye

‘The Climb’ is as Infuriating as it is Funny

‘Mulan’ Deserved the Big Screen Run Disney Wanted it to Have