‘The Outrun’ Shines a Light on Addiction (and its Star)

Beetlejuice Beetlejuice: Far From Perfect, but a Worthy Follow-Up to its Predecessor

Trap: The Twist Is We All Fell For It Again

‘She Said’ is Vocational Bait and Switch (and a Pretty Damn Good Movie)

‘Armageddon Time’ Is A Worthy Investment, But Probably Not The Oscar Contender It Was Intended To Be

‘Causeway’ is a Subtle Tale of Trauma and Healing

Name Recognition Can’t Lead ‘My Policeman’ Beyond Mediocrity

‘Banshees’ is as Dark as it is Hilarious

‘The Return of Tanya Tucker’: An Unexpectedly Moving Music Doc

See How They Run: A Fun Throwback Whose Stars Outshine It

Love and Thunder: An Entertaining, but Seemingly Estranged, Entry to the MCU

Jurassic World Dominion is Colin’s Smirking Revenge

What ‘Emergency’ Lacks in Intensity it Makes up for in Realism

Doctor Strange: That’s So Raimi Edition

Studio 666: Crazy Stupid Fun from Beginning to End

Cruz, Smit Take ‘Parallel Mothers’ to Greater Heights

‘No Way Home’ is one of Marvel’s Finest

‘Encounter’ Is Sci-Fi Bait And Switch, But Still Watchable

‘Wolf’ Is More Petting Zoo Than Wild Beast

Ghostbusters Afterlife Is A Pandering Exercise In Nostalgia, But In All the Best Ways

Eternals: A Clunker That Shows Room for Future Improvement

Dune: A Box Office Supernova Worth the Wait

The Last Duel: A He Said, He Said, She Said Story Featuring Brutality, a Dynamic Leading Lady, and K

Pharma Bro: A Tilted, Yet Compelling Portrait of a Disgraced Douchebag

‘Venom: There Will be Carnage’ is an Experiment in Indifference