Doctor Strange: That’s So Raimi Edition

Studio 666: Crazy Stupid Fun from Beginning to End

Cruz, Smit Take ‘Parallel Mothers’ to Greater Heights

‘No Way Home’ is one of Marvel’s Finest

‘Encounter’ Is Sci-Fi Bait And Switch, But Still Watchable

‘Wolf’ Is More Petting Zoo Than Wild Beast

Ghostbusters Afterlife Is A Pandering Exercise In Nostalgia, But In All the Best Ways

Eternals: A Clunker That Shows Room for Future Improvement

Dune: A Box Office Supernova Worth the Wait

The Last Duel: A He Said, He Said, She Said Story Featuring Brutality, a Dynamic Leading Lady, and K

Pharma Bro: A Tilted, Yet Compelling Portrait of a Disgraced Douchebag

‘Venom: There Will be Carnage’ is an Experiment in Indifference

They Might be Mimes, but Vampires Work in ‘Black as Night’

The Addams Family 2: A Little Bland, but Still Enjoyable

‘The Eyes of Tammy Faye’: Powerful Performances Lift an Otherwise Average Biopic

Shang-Chi: A Thunderous Kickoff to MCU Phase Four

Snake Eyes: A G.I. Joe Story That Doesn’t Feel Quite Like One (And is Also Missing Red and Blue Lase

F9: So Bad I Want to Sell My Car

‘In the Heights’: Full Product is Much Greater than its Individual Pieces

‘A Quiet Place Part II’ is ‘A Quiet Place’ on Steroids

‘Profile’ Will Make You Question Your Online Friends (or Possibly the Age of Your Leftovers)

‘Limbo’ Won’t Change the World, But it Offers Some Things to Ponder

‘French Exit’ Is Dark And Weird And I’m Here For It

‘The Courier’ Gets An A (and I Get an F in History)

Chaos Walking: The Book is Supposed to be Good, So That's Something